He’s struck again. After a few months in New York, selling his wares anonymously (and for almost no money) in Central Park and painting anywhere he wanted, Banksy has left the Big Apple and headed home.
Known for his political graffiti, Banksy’s latest mural targets the British government’s increasingly invasive strategies for information. “Eavesdropping,” as the mural has been called, confronts this directly, with jacketed figures all standing around a phone booth with various devices for listening in. I guess some people will think twice before using that pay-phone for any illicit calls.
Banksy admitted to the painting in a Q&A on his website. The artist is notoriously guarded about his identity, despite a large number of people knowing who he is and refusing to tell, and will communicate with people only through email. This time, someone asked him directly: “Did you paint the spies in Cheltenham?” Banksy’s replay was a simple “Yes.”
In the same Q&A, Banksy mentioned the advantages of street art in general, that having to make all your mistakes in public is the best and worst part of his job. The last question was in a response to the controversial Banksy: The Unauthorized Retrospective, a curated art exhibit and auction by Banksy’s former agent, photographer, and assistant Steven Lazarides. The art was sold without Banksy’s consent and Lazarides mentioned to The Guardian that “I emailed his people, they know. Not pleased.”
“As a kid I always dreamed of growing up to be a character in Robin Hood,” Banksy said about the gallery and auction, “I never realised I’d end up playing one of the gold coins.”
“Eavesdropping” was discovered by Karen Smith, the owner of the house that Banksy painted, who awoke early in the morning to men packing up a white tarpaulin. “I thought it might be something to do with the police, like when a crime happens,” Smith told the Gloucestershire Echo, “I heard people talking all night and couldn’t sleep, but I didn’t look out, as you get used to people out there all the time.”
Smith’s personal opinion of the piece is that it “livens up the street a bit,” which is modest praise for art by one of the most famous artists in the world.
Since the revelation, the piece has been sold to private collector Sky Grimes for an undisclosed amount and his scaffolding company has been set to carefully remove “Eavesdropping” and make any necessary repairs to the home. Before it goes into Grimes’ private collection, it will be shown in a London gallery for a month while a special frame is made. All in all, the accidental owner of a Banksy piece just found themselves a great payday.
The street artist still is a bit like Robin Hood.